In a black and white outline style. A decorated table with various foods, plates, and utensils placed on top of it.
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Who Am I?

by Dima Zaid-Kilani

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This Piece Features a Content Warning

Discussions of genocide present.


Who am I?

Al-Zaitoon from the forgotten land.

1948, at three, on foot from Haifa to Sidon to Amman.

Until his last breath, he remembered how generations fled looking for a peaceful land.

With keys in his hands, Al Nakba misunderstand:

homes wait… you will not be unoccupied.

This is not genocide

He thought that he would be back

to melt in his land.

The truth is,

it was genocide;

it was ethnic cleansing

Who am I?

Here, I am the other.

Left behind fresh thyme, Sumac, Shaqaeq al nomaan, and Hamda’s aromatic fenjan.

It is a new heartland.

Who am I?

2004, to the beaver land. 

An unseeded zaitoon in the maple land.

Echo their names five thousand miles far from my homeland.

Lost my voice between the empty walls.

Be quiet, no one can come beforehand.

18 long years and I don’t want to forget my motherland.

Who am I?

2018, why do you exist? I don’t understand.

With his hand on my head,

he lost his breath.

I am another

with no place, no time, no land.

Who am I?

Wait–

You still can.

For the unseeded, you thrive.

Say the unsaid for those who can’t.

Don’t leave.

Wait– you still can.

Make him proud,

make her proud.

Use your voice.

Don’t hide.

Who am I?

I am not alone.

Anishinaabe, Haudenosaunee, and the Cree I understand.

The “other” on their land.

My voice, my honor, and my homeland were taken beforehand.

Wait–you still can.

Make him proud,

make her proud.

Use your voice.

Don’t hide.

Black and white Sumac Issue 1 logo. A dark grey circle, on top of which is a lighter grey shape, roughly the outline of Carleton University's campus. On top of this is a lighter grey and white outline of a sumac plant.

Dima Zaid-Kilani is a Carleton University PhD student in Applied Linguistics & Discourse studies.

They also work as an ESL professor and a TESOL Methodology trainer.

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