
Father begins the ritual, dousing his hands and his tarnished scimitar in oil.
He brings the blade down, breaking coarse green skin.
The knife is wedged into the folds of the flesh and shimmied
till it reaches the centre of the bruised fruit.
The scent of the jackfruit
oozes from the gaping wound
and pools on the grainy kitchen floor.
The children tower over the diligent father,
as he rests his hands over the crevice he’s crafted,
slipping his thumbs into the wound.
Eviscerating the jackfruit.
White strands of latex and sap shred and rip
as the golden pods of flesh reveal themselves
in the orange hue of the afternoon sun.
The children’s eyes bore into the meat of the fruit
as father plucks the flesh from the carcass
and hands it to his offspring.
He serves the flesh that’s furthest from the bruise. The fruit’s plummet has bludgeoned its base.
He hands the pristine to his wife and
children,
continuing his scavenge,
occasionally helping himself to a
morsel.
His fingers pry and peel the white tendons
that cling to the meat.
Plucking and preserving the rest,
keeping them aside.
Work hasn’t found him this afternoon;
labour eludes him, and so he performs this ritual,
a silent, violent prayer to put food on the table.


Omar Shaji is a 3rd year Undergraduate Student in the English Program with a concentration in Creative
Writing at Carleton University. He hails from India and is an international student whose poetry often
touches on his memories of Kerala and the environment. His poem ‘Striking Jackfruit’ explores the nature
of his favorite fruit and the labour that goes behind consuming it.
Omar acknowledges the impact that Carleton University has had on his life and is aware that the
institution rests on the unceded territory of the Anishinaabe-Algonquin nation. He has been published
twice at Sumac and is grateful for the opportunity to have his work read by the editorial team.

