If you said, long ago when we were
young, when the Sun flew like an idol
and mothered us, that we’d crouch here…
that we’d bang together this composite
house—hands on mugs, our porcelain tools,
and sink nails into Ikea parts,
I might have shrieked chimpish grunt-words
at you—become suddenly, bloodily single.
But we’re here, hunched over glue-
bound slabs of sawdust, grain painted on.
The sunset fists through hung blinds—
its knuckleprint on dust fleck gravestones
set in bedframe. We mimic reproduction
on our mattress, grasp thighs and
pin each other down. A haircut
held in wax, stupid-looking
against your nakedness. And the dust
stirs, only to land on the mug-hammers,
so, we speed up our construction.

Nathan Erb is an undergraduate student in Carleton’s English program, concentrating in creative writing. His work has been published by the Carleton English department and FASS.



![Amid the achromic graphite pencils and the fine-tip washable markers and the ballpoint gel pens, you pick her out from the bucket. You believe that you can have any one you want. The fresh red pen catches your eye, and you lazily decide that it means she wants you too. No. You uncap her, revealing innocence that you crave: a shiny new toy. No second or third or fourth or fifth thoughts. You call it a painting: the ink that spills along the blank paper. But it’s nothing like that. You cannot cultivate art from this. No drawing between the lines. No. You decide rules don’t apply. Casting permanent stains on the open notebook, you line the pages in crimson. You write no words yet you leave nothing unsaid. [new stanza] You use up her ink until you decide you no longer like the colour red. And that night she washes two and three and four and five times with soap and water. Out damned spot. Footnote: Shakespeare, W. (1992). Macbeth. Wordsworth Editions.](https://i0.wp.com/sumacliterarymagazine.com/wp-content/uploads/2023/08/Favourite-Red-Pen_Web-Post1024_1.jpg?resize=375%2C1024&ssl=1)







